Defamiliarization through modality of discourse: Waiting for Godot

dc.contributor.authorDemir, Mahmut Yasin
dc.contributor.authorDurgun, Sezgi SaraƧ
dc.date.accessioned2022-09-12T10:27:17Z
dc.date.available2022-09-12T10:27:17Z
dc.date.issued2022
dc.departmentALKƜ, FakĆ¼lteler, Eğitim FakĆ¼ltesi, Yabancı Diller Eğitimi BƶlĆ¼mĆ¼
dc.description.abstractSamuel Beckett's Waiting for Godot (1954) is a parody of the world following World War II. The play exemplifies the spirit of the age by using defamiliarization as a textual strategy by means of which the characters utilize epistemic modals leading their conversational exchanges to never-ending voidness and uncertainty. Therefore, this study analyses discoursal features of Waiting for Godot by focusing on modality as the primary means for a void and indecisive attitude that is created through defamiliarization. The study further exemplifies how Beckett's use of defamiliarization foregrounds epistemic modality to create a discourse unique in his authorial path.
dc.identifier.doi10.20420/Phil.Can.2022.465
dc.identifier.endpage36en_US
dc.identifier.startpage23en_US
dc.identifier.urihttps://hdl.handle.net/20.500.12868/1533
dc.identifier.urihttps://ojsspdc.ulpgc.es/ojs/index.php/PhilCan/article/view/1491
dc.identifier.volume28en_US
dc.identifier.wosqualityN/A
dc.indekslendigikaynakWeb of Science
dc.language.isoen
dc.relation.ispartofPhililogica Canariensia
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Ɩğretim Elemanı
dc.rightsinfo:eu-repo/semantics/openAccess
dc.subjectepistemic modality, defamiliarization, theatre of the absurd, Waiting for Godot, Samuel Beckett
dc.subjectepistemic modality
dc.subjectdefamiliarization
dc.subjecttheatre of the absurd
dc.subjectWaiting for Godot
dc.subjectSamuel Beckett
dc.titleDefamiliarization through modality of discourse: Waiting for Godot
dc.typeArticle

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